Terry Teachout Art Quotations

Direction is the most invisible part of the theatrical art. You don't see it.

The wonderful thing about theater as an art form is it's a purely empirical art form. It's all about what works. And every show, every production, is created anew right from the moment you go into the rehearsal hall.

To me, an intellectual is a person who is primarily interested in ideas. What I am is an aesthete, a person who is primarily interested in beauty. That's why I write about art.

At its best, no art form is more thrilling than grand opera, yet none is at greater risk of following the dinosaurs down the cold road to extinction.

Even if I could, I wouldn't want to undo the transformation of jazz into a sophisticated art music.

Needless to say, anybody who can stumble through a C-major scale knows that Art Tatum always gave his audiences 10 times their money's worth.

Unlike film and TV, theater is a luxury object, but one that ordinary middle-class people can still afford. Above all, it isn't a mass medium: Live theater is a small-scale, handmade art form. Intimacy is what makes it special.

Were I to be appointed Secretary of Education, I'd issue a prospectus for a compulsory nationwide high school course called 'The American Experience in Art.'

Even the Impressionists, the most innovative artists of their time, sought to paint realistically. They believed that their freer way of portraying the visible world was truer to life than the literal realism of the 'salon painters' who dominated French art throughout the 19th century.

Not only are most of our citizens fathomlessly ignorant of the glories of American literature, a fast-growing percentage of our students are no longer taught much about any works of American art, be they novels, paintings, symphonies or ballets.

In addition to giving comfort and joy, art also has the miraculous ability to let us live in other men's skins, to test our perceptions and beliefs against theirs, and perhaps to be changed as a result. It does this by portraying the world creatively, heightening our perception and enriching our understanding of things as they are.

It may well be, of course, that America's pop culture is on balance better than our high art. I don't think so, but you can certainly make a case that the best of it aspires to a degree of aesthetic and emotional seriousness that is directly comparable to all but the very greatest works of high art.

A critic should always strive to recapture the sense of wonder and surprise with which he first beheld a now-familiar work of art.